By Steve Thornton

The writers are on strike. Jon Stewart is a scab. Who cares?  There’s still plenty to watch on TV and at the movies.  Even if my favorite shows are re-runs, there’s always Netflix, right?

Well, the strike of 12,000 members of the Writers Guild of America, which began November 5th, should be important to us, and here’s why:

1. The strike is about the future of work.  It’s old news that American industry has been shipped to foreign shores.  Connecticut lost as many as 200,000 manufacturing jobs in the last three decades. Tomorrow’s jobs – our children’s work – could very well be in information technology.  The writers are fighting for their fair share of the pie when it is served across the internet, through iTunes and other new digital media.  What they are able to win now, our kids may not have to fight so hard for in the future.

2. It gets people talking about unions.  When Tina Fey in New York and Jack Black in Hollywood walk the picket line in solidarity with striking writers, it’s news (sad but true).  Since only one in ten U.S. workers is presently in a union, labor organizing is not a daily topic of conversation. That’s good for business leaders, but bad for the rest of us.  In an age when we are bombarded with Paris Hilton’s jail time and Martha Stewart’s recipes, discussions and even arguments about the value of unions are a good thing.

3. The issue is fairness. The union advantage for working people still holds true. Union jobs pay more than non-union (30% higher according to the AFL-CIO), health benefits are more affordable and the only real pensions left are union-made.  And your union is still the only sure way to win fairness and respect on the job.  Some writers earn a salary greater than most working people, but 48% of them are unemployed at any one time. The point is they are looking out for the security of their families, facing down powerful interests that will be making an estimated $4.6 billion in television revenues over the next three years.  That should be an issue we can get behind.

4. When the writers win, we all win.  Strikes are so infrequent these days that the pundits tell us the tactic no longer works.  But withholding our labor is the strongest weapon we have as working people.  It seems that once a decade a strike really grabs public attention. Most of us still remember the historic 1986 Colt Firearms strike, which the United Auto Workers won after four years (when they ended up buying the company).   We also remember the 1997 UPS Teamsters’ strike which garnered plenty of grassroots support for their demands for secure pensions and full-time jobs.  Ten years later, with American workers’ wages and benefits losing ground, it’s time for another high-profile labor fight. When the Writers’ Guild strikers prevail, it gives hope to every group of workers struggling for a fair share. The strike demonstrates that, as farm worker union leader César Chávez said, “Sí, se puede”:  yes, it can be done.

5. Entertainment might just get more real.  We know all there is to know about cops, lawyers and doctors, right?  We should, since they are the favored subjects of television and films.  The lives of regular working people just don’t seem to be as dramatic or funny.  There’s bus driver Ralph Kramden on The Honeymooners, and aircraft worker Chester A. Riley in the Life of Riley.  Oh wait, that’s 1950s TV!  Besides Archie Bunker and Roseanne Conner, working folks have been few and far between on the tube or the big screen.  Labor plot lines are even more scarce.  As an avid TV fan, I can tell you that Battlestar Galactica and The Office have had recent union story lines, and the workers at George Lopez’s factory staged a sit-down strike to stop their shop from moving offshore. But that’s about it.  It’s time we saw ourselves on movie and TV screens more often.  When the writers win with our support, they gain more power on the job, and they hope, writing becomes more creative and less formula. They will be able to pitch new real-life dramatic stories about working people. And this time it will come from first-hand experience.